There’s a magic that comes with being aware you’re "onto something" while you’re onto it. It fills you with a strange sense of purpose that seems to invigorate the project and deepen the vision, even when you feel like all you've got is fireflies to follow, just the hint of heat and light out ahead, teasing you on, leading you somewhere you can barely see in the distance, as if towards an ancient city shrouded in fog, just waiting for you to come discover it.
And here it was, another one of those rare moments that we, as artists, long for, wait years for, usually very impatiently, and hope to capture at least once in our lives. I can honestly say, looking back, I believe I’ve been incredibly lucky to have experienced this rush 3 or 4 times in my career, but few times as consciously as this moment.
Loggins and Messina was one of those moments, certainly, but I was young and not really as aware of what was happening or what was in store.
Making "Celebrate Me Home" was one, big time. A big leap from the Country inspired sound of L&M.